TALKS
Moorina Bonini, ‘Code-Switching: Creating Space to Align Structural Values’ MADA Gallery
Celebrating my Aboriginal family | Moorina Bonini: Primavera 2023 artist
Moorina Bonini on her PhD Exhibition, Monash University MADA
Artist Profile: Moorina Bonini - Ellen José Art Award for Young Women Winner
NAIDOC Week 2022: In Conversation with artist Moorina Bonini, Bayside Art Gallery
Taking Care with Moorina Bonini, 2020
WRITING
A Tribute to the Concrete Box (For Aunty Hyllus) Catalogue Essay, Moorina Bonini, Bus Projects, 11 March 2020
Visual contributor for ‘Mapping Identity Through Words’ words by Timmah Ball and other writing contributors, Archer Magazine issue #13 First Nations Issue, 24 January 2020
reflecting, re-examining and relocating, Moorina Bonini, Farrago, 13 December 2018
‘Moorina Bonini - self-titled’ writing and visual contributor, Blak Brow - The Lifted Brow #40, 2019
Artist Moorina Bonini on the reclamation of cultural identity, Moorina Bonini, Victorian College of the Arts, 27 November 2018
‘Black Wattle’ publication by this mob collective, 2021
MEDIA
‘Bureaucracy of Feelings’, Amy May Stuart, Memo Review, 2025
‘Indigenous artists to lead the way at RISING 2025’, National Indigenous Times, 2025
‘New exhibition explores eurocentric views on Indigenous categorisation in western institutions’, Te Ao Māori News, 2024
‘Artists ask us to think about their art - and the space around it’, The Post | Te Upoko O Te Ika, 2024
‘For Primavera, Emerging Australian Artists Propose New Paths’, Ocula Magazine, 2023
‘The talented and the restless: Six young artists to watch at Primavera’, The Sydney Morning Herald, 2023
‘See visions of the future from the comfort of your house’ The Sydney Morning Herald, 2021
‘Exploring Indigenous ways of Knowing’ Artshub exhibition review on (False)-Relationality 2021
‘We move in with Caution’ by Timmah Ball, exhibition review of ‘A Tribute to the Concrete Box (For Aunty Hyllus Maris)’, exhibited at Bus Projects, March 2020
Insiders editorial on ‘A Tribute to the Concrete Box (For Aunty Hyllus Maris)’ exhibited at Bus Projects written by Sophia Cai, Art Guide, 13 March 2020
‘Self-Searching: Contemporary Indigenous Photography at RMIT’ written by Jessica Clark, Catalyst Magazine, 2016
